PROGRAM SNAPSHOT
This isn’t a beginner’s workshop.
It’s not just a lecture series.
And it’s definitely not for dabblers.
This is a 12-week professional screenwriting lab rooted in storycraft, character transformation, and real industry insight, taught by a consultant and executive who’s helped writers land reps, options, and deals, and has pitched to nearly every major studio, streamer, and production company for 20 years.
Whether you’re writing a feature or a TV pilot, developing a new idea or rewriting a stalled draft, you’ll be guided through a weekly, structured experience designed to build scripts that actually work, and that stand out in the marketplace. You will have a finished draft by the end of the Lab, receive a total four sets of notes from multiple readers (from Max and ISA readers). You'll receive a follow-up full read with written notes from Max Timm after applying the ISA reader notes. See the full schedule and deadlines below (a total of 8 months of support.)
It’s the most extensive support system Max and his Story Farm coaching and consulting has ever provided. Teaming up with the ISA will ensure all participating writers will grow, evolve, and develop into even stronger writers by the end of the 3-month lab.
A second Pro Lab is scheduled for August thru October. Writers can attend both. Please inquire regarding the Fall Lab.
(Please scroll down to see the schedule and dates for the 2026 Lab.)
Multiple sets of notes from multiple readers and your instructor
12-month Inclusion in outside workshops and events hosted by Max Timm through The Story Farm Circle Community. Monthly events and workshops include:
Live retreats available as an upgrade:
Whether you’re a screenwriting vet or emerging talent, this lab treats you like a professional-in-the-making. The bar is high, but that’s the point.
Inquire by emailing max@thestoryfarm.org, or click the button below.
*The Lab will be limited to 20 writers. A second Fall lab will begin in August 2026.
Month 1 - Build the Foundation
Week 1: Welcome & Diagnostic
• Define your goals (new project or rewrite) and your connection to the story
• Identify your character’s flaw and false belief
• Four Levels of Story Development & Self-Development
Week 2: Concept vs. Premise vs. Execution
• Thorough conceptual development. Learn why 90% of concepts fail to become great scripts
• Clarify: What’s your story about? And why now?
Week 3: Hero, Flaw, and Transformation
• Use Max’s Character Tools to define arc, flaw, want vs. need
• Build your story from the inside out
Week 4: 12-Sequence Structure (3-Act Focus)
• Break your story into scenes and moments that move the story and character development forward.
• Understanding how Act 1 works and why
Month 2 - Conflict, Pressure, and Stakes
Week 5: Sequence Breakdown (Acts 2A & 2B)
• Max’s core belief: conflict reveals character
• Workshop sequences 4–6 to add external stakes & internal pressure
Week 6: Opponents, Obstacles, and the World
• Identify the real threat (character, system, self)
• World-building as conflict design
Week 7: Dialogue & Scene Work
• Dialogue is behavior, not conversation
• Scenes must reveal, not repeat, information
Week 8: Building Momentum and Middle Turns
• Further define 2nd and 3rd Act moments that deepen theme and character arc
• Write your first 20 pages in script form - submit to Max for your first review
Month 3 – Finalizing Draft & Industry Prep
Week 9: Rewriting as Purpose, Not Panic
• Draft completion plan
• Reassess act structure and character arc with emphasis on Sequences 7 - 12
• Clarify what’s working and what’s getting in the way
Week 10: The Final Sequences
• Finalizing your draft for final deadline submission
• Stick the landing: emotional payoff and thematic closure (3rd Act review)
Week 11: Industry Readiness
• Sharpen your logline
• Write a one-paragraph pitch and a bio that sounds like you
• Prep for submission
Week 12: Final Pitches & Cohort Celebration
• Each writer submits their script for an ISA Deep Dive evaluation
• Closing reflections, Q&A, and what comes next
Deadline Review:
Please reach us at max@thestoryfarm.org if you cannot find an answer to your question.
The Professional Program is for screenwriters with experience - plainly speaking. You do not need to have sold, optioned, or produced material in the past. We do, however, expect you to have completed at least three full projects (TV or Feature) prior to applying. Writers with more than three finished projects, contest accolades, and some amount of professional experience will be preferred. The Story Farm will put emphasis on the amount of time spent and previous education when considering your application. With that said, however, a dedicated writer with a strong voice and willingness to devote their time to to education, improvement, and supporting your fellow Lab writers will be strongly considered.
Yes...but (there is always a but). We have extremely high expectations for Professional Lab writers. If a writer enlists in the Lab, we expect that writer to remain enrolled for the full time period classes and group sessions, and to hit their deadlines. We also expect that the writer remains an active and supportive peer while in the Lab. We are ONLY looking for writers who expect to be pursuing their screenwriting career for the rest of their lives. There are no refunds for this program.
This is where The Story Farm will have to take a strong stance. We do not offer refunds for this program for any reason or at any time. Whether you pay for the Lab upfront in one big lump sum, or if you are paying on a monthly payment plan, there is no refunding of money spent for any reason nor any pro-rating of time. We will not convert what you spent into or for other consulting services. The primary reason for this hard stance is due to holding our Lab writers to the highest of standards. We will devote our time and efforts to developing you and your career, and we expect the same in return. In terms of dropping out of the Lab, yes. You can drop out of the Lab at any time for any reason. The Story Farm will discuss with you your reasons for removing yourself from the Lab before releasing you from your commitment. Again, however, there will not be any refunding of your payment or payments.
The Story Farm does not guarantee that a single writer enrolled in the Professional Program will have their screenplays or TV series read or considered by any industry professional for purposes of market or business consideration. The Story Farm does not act as an agent or manager for, or producer on any of your material. The Lab writer retains all rights to his/her creative material forever. The Story Farm will involve industry professionals when The Story Farm determines the writer and/or the writer's project(s) is ready to be read and considered if and when an industry professional's creative mandate fits the writer or writer's project(s). Our aim within the Lab is to help writers improve their craft, place highly in contests, and/or set up a project with a producer on their own or with the help of the ISA Development Slate if the ISA Development Slate decides to take on the writer's project, however this is not guaranteed. Any service that guarantees industry access to any or all writers is not being truthful to its members or clients.
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